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![]() ![]() Especially on Moodymann mix, where the sway in tempo is so vast - I think from 85bpm all the way up to 139 - so for the dancer’s to be able to react to that range of music is pretty incredible.” reaction to the music itself is pretty incredible. The people are dancing around you and you're swaying. “You really feel like you're in this place. The individuals in the crowd and the crowd dynamics were plotted out meticulously and we managed to coax all the elements that go to make up a live audience interacting with the performance of each DJ - step by step, action by action and across multiple bpms.”įor Pavlovich, the result was impressive. “For we had our six actors and we layered them over and over again in multiple states of interaction and energy. The next challenge was creating a natural environment for both players, dancers and DJs. Once we had a clear and quarantined cast and crew we shot for four weeks.” DJs were also motion captured for the entirety of their set. Once clear, we quarantined the cast and skeleton crew for 14 days in the RVs testing every three days. “We fenced off a parking lot, rented 25 RVs to keep everyone separated, cast the six main characters and tested them for COVID. “It was a much more controlled experience,” says Edge. While After Hours introduced the concept of DJs in a social clubbing environment, Cayo Perico Heist built on the concept with more detailed motion capture, despite COVID restrictions. In a year of club closure’s Rockstar’s responsibility to provide a realistic clubbing experience was even more pertinent. If you don’t capture that, you don’t have that unique DJ.” DJs have different specific signature movements, habits and flourishes. Rockstar’s director of performance production Rod Edge agrees. The more comfortable the DJs are the more they’re going to perform, the more real it’s going to feel for the players.” “We want to blur the lines between being somewhere and experiencing something in a game, and in order to do that you have to make people feel comfortable.” Pavlovich continues, “You have to pay attention to the details. Hearing Flying Lotus' and Giles Peterson’s stations, later on, got me interested in programming music for radio, which I suppose naturally leads to an interest in DJing, and here we are.”īack in Los Santos, The Music Locker is Rockstar’s most ambitious clubbing experience to date, with everything from the DJ’s tech rider and - in Moodymann’s case - backing dancers all expertly captured and detailed, including Palms Trax's E&S DJR-400 rotary mixer. “I was very much into rock, punk and metal when I started playing GTA III so it opened my ears to all sorts of stuff from Herbie Hancock and Mary Jane Girls, to A Guy Called Gerald and Larry Heard. In fact, GTA III was so influential to a young Palms Trax, he credits its radio stations with broadening his musical taste and even with his decision to become a DJ at all. “When they first reached out at the beginning of last year I thought it was some sort of phishing scam, I couldn’t actually believe it was happening until announcement. The iconic radio stations have also been updated with new choices from Joy Orbison and Julian Casablancas, as well as updated playlists from Gilles Peterson’s Worldwide FM, Flying Lotus and more.įor Palms Trax in particular, being invited to join the world of GTA was something of a full circle for his musical education, once he realised it was actually real. Now, in 2020, GTA’s latest update, The Cayo Perico Heist, has once again embraced DJ and club culture, this time recruiting Detroit legend Moodymann, tech-house collective Keinemusik and Berlin-based selector Palms Trax as part of a new club The Music Locker. The add-on featured motion-captured performances from the aforementioned DJs in a new social nightclub space where players could meet and dance to each resident’s exclusive mix. It’s a role that brings with it a lot of weight - GTA’s musical legacy goes well beyond the videogame world, inspiring endless club nights, playlists, compilations and playing its part as a music discovery and curation source for countless future musicians, DJs and producers over the past 19 years.įor DJs, Rockstar’s expert curation took a more literal twist in 2018, when their After Hours update saw real-life DJs Dixon, Solomun, The Blessed Madonna and Tale of Us enter the GTA universe as part of a new plotline to open a nightclub in the fictional world of Los Santos. ![]() Ivan Pavlovich, director of music at Rockstar Games says over Zoom from his NYC home. “One of my favourite things is to hear that somebody discovered on GTA radio stations”. ![]()
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